Monday, 29 June 2020

Olive Eva Joy Purcell - 7th June 1934 to 29th June 2019 💝


Memories and Anniversaries


They come, some of them, unmarked, unrequested.  They are not on your calendar; your phone hasn’t reminded you.  No presents have been bought or cheques, with a ‘sorry, boring but…’ message, scribbled.  There is no card; no celebration planned.  You are not getting your hair and nails done or choosing what dress to wear, what lipstick, shoes and bag will accompany.          
No fanfare of cards falls on the mat; no calls from friends and family; no request and happy congrats on the radio station, no flowers on the sideboard, jostling with the cards.
But they come. They come, unbidden, unwarned; an alien invasion. At first, in bewilderment and disbelief, you carry on regardless.  Or try to.  But they keep coming.  Cropping up round every corner, at every turn.  They grow. They multiply.  They encircle your being; inhabit every part of you; sometimes for weeks on end.  You are absorbed and being absorbed by something you are trying not to mark.  But it marks you.  Your apple cart is well and truly upset, your rhythm thrown out of any functional equilibrium you thought you were holding on to.  They are marked in so many ways. 
In the weather; the heat and humidity building, especially in the south.  The uncomfortable, almost unbearable heat.  In the infrequent storms in my part of the world (counted on one hand in thirty years), like the one experienced here in the Aberdeenshire, the one you chose to take your leave during; the one you sent? The one you passed over in just last year.  I felt it; it lifted the corners of my mouth. Yes, I noted; maybe I marked it
In the songs on the radio – they come tumbling, like petals from an overblown rose when you touch the bush – as if someone is playing the Tracks of your Years.  The woman who does the musicals show – ‘Oh What a Beautiful Morning’, and a love song request.  Who the hell requested the love song to an otter ‘Val Doonican croons ‘Ring of Bright Water’?  and someone doing an homage to TV and radio theme tunes – ‘White Horses’, AND ‘World Wide Family Favourites’.  I am in floods – I am in Midge’s pool at Camusfearna.  It can’t all be because lockdown has left them short of new material to broadcast.  Maybe it’s something in the ether.  Something the universe is trying micromanage.  God damn it, the radio is now playing Annie Lennox’s, ‘No more I love you’ s!’
They’re in the flowers that are blooming.  I dare the rose we planted in your honour, the Superstar, to burst, all velvety vermillion through her bud casing, on my half-shaded patio in a large leaden pot today, in the cool, the damp and the wind.  It’s a funeral day, unlike yours, which was blazing.  That makes me smile, with a tear.
And in the birds that are singing. The swallow on the wire, the starlings and blackbirds, their morning songs subdued by the unseasonable turn, but the Robin almost touches my hand as I weed.  His song, sweet and light, takes me to your long thin secluded (cos you wanted it that way garden.  The hoot of the owl; my owl, the fluttering of the bats at dusk; my bats, from my maternity roost, sweeping their figures of eight, marking before they disappear for their however many miles, however many thousands of insects consumed on their nightly flights.  And I smell it in someone else’s cigarette, burning, in another garden, in the cooling air.
They say that smell is the sense that most evocates memory. The smell of heat, of hot ground, and that smell that has a name all of its ow when rain falls on the hot ground. Petrichor. The roses: Superstar, Peace, Piccadilly, Ena Harkness; the cherry pie smell of heliotrope, the cherry pie, the roast chicken, newly cut grass in Wembley or in the park.
And fags.  Always so many fags. The strike of a match, the slow burning, the puffed-out tobacco cloud, the stale lingering smell – everywhere. On clothes, in furniture … Smoking in your bed at night, that smell, with my babies next door, the fear that kept me awake, the choking that kept my head at the open window.
It’s in the little things that you find when doing ordinary domestic activities.  Moving the little perfume bottle, the one your sister treasured, to dust; picking up the pen to jot something down.  The pen I picked up while at yours, on my last visit.  The one, ironically, with the logo of the charitable trust of the hospital who managed your last days.  I throw it in the bin.  I have too many pens; enough tokens and small treasures. Enough memories.
Yesterday, I was doing ‘safe’ activities.  I was tidying away some hair bands and slides, so frequently played with during hot weather with lock down hair, in my dressing table drawer, and something flicked up and stuck out.  I drew out a white envelope.  A6 size. It had been sealed, and unsealed.  It had been folded in several places, like it contained something small.  The first fold was in half, horizontally, then two inward meeting vertical folds, so when given over to me, it would have been a thick packet about four inches by two and a half.  I unwrap it.  It is empty.  But on the front, in neat almost joined up capital letters, it reads PROPERTY:  OLIVE PURCELL.
It’s content, your wedding ring. Thin, gold, worn thin, rounded sides (courting profile it is called – or comfort fit).  It would have been handed to my brother when we went to pick up the papers and Mum’s things from the hospital, the Monday after she died.  It was the only personal effect she had with her when she was admitted as an emergency.  Her clothes, soiled and realised would never be worn again; we never saw again – just a hospital gown and paraphernalia.  I carried it back with me from your funeral and have it in a special box at the bottom of my jewellery box.
Every activity is infused with those memories, those thoughts and feelings and actions of a year ago.  Your concentration on the here and now is well and truly shot to pieces.  Do you fight or do you run? Run to a couch: to a book you can’t read, a film you can’t see, music that breaks you. Run to the hills, where every tree or bird sound, every ripple of water every smell,
Time heals.  But it also stirs.  I expect that, as each year passes, each anniversary – some marked more than others – memories will dim; or they will change, along with the accompanying feelings. The loss of a loved one will always be mourned, tinged with pain and sadness; with regret and with guilt. It’s a natural part of the process.  We may not remember the trains and planes. Or the conversations with celebrants and undertakers or the pub we stayed in or held the after funeral gathering (which you would not have approved of – tough!), or the food we ate, or the road diversion to the crem…   
We will always hold the pictures, the sensations:  of tears and frail bruised hands; of semi closed eyes and water sponges held to dry cracked lips; of nil-by-mouth, of seeing syringe-drivers changed – how careful and long drawn out that process; of the hospital smell, of you dropping slowly ever deeper into not seeing, not hearing, not knowing. Though you always knew us, our voices, our touch, so careful on your paper-thin skin. 
                ‘Midnight, not a sound from the pavement…’. Goodnight, and God Bless. 💝

Sunday, 28 June 2020

Mumblings and musings.

A month of journaling (thanks to a couple of free courses and 'retreats' with Writers HQ  https://writershq.co.uk/ and reconnecting with Tania Kndersley - https://www.facebook.com/writingexpert67/ and the write 😉 timing - has revitalised my approach to creative writing, and focused me in on what I love to write.

Sometimes it is stories, from flash, through short to full length novel ideas.  The BIG stuff.
But I know that most of my output comes in the form of brain dump - positively labelled as journaling.  Often nature inspired, from walks or from the garden.  I propose to focus on this aspect of writing, though keeping open all options and seeing where the activity, the daily writing takes me.  I have a short story on the go for a competition.  I will complete and submit it. 

So, this old dog is once again, re-launching this old blog, and I thought I might start with sharing a couple of poems.  Both are in the public domain but under my copywriter as the author.

The first, actually originally penned over a year ago, in April 2019, has been re-worked and shared on local facebook pages. 

The second was a substantially cut down version of a 98 line sequence that helped to gain me a 'Distinction' on an OU Creative Writing Module in 2018/19.  The Hugh Miller Writing Competition, 2019/20, asking for submissions based in or written around one of the 51 most important geological places in Scotland, offered an opportunity to put a much shorter, revised 'version' out there.

I was delighted to learn that it received a 'Highly Commended' position, second only to the stunning 1st placed poem.  All of the winning and placed submissions across many categories can be found on the Hugh Miller Writing Competition section of https://www.scottishgeology.com/

Fade to Yellow

The yellow isn’t only on the broom: the genista
or gorse. It’s on the daffodils; dogs tooth violets
crimson throated euphorbia bracts.
It’s on flashes of yellowhammer in the
brambles and goldfinch on the feeder.
On winter jasmine, softly dropping
her last scented blooms; on primula and pansy
purple splashed faces winking in the sun.
And on your shirt, on the line, buttery pale, the one
with cuffs that are awful to iron.

It’s on the forsythia, the vicious spiked leaves
of foaming mahonia, dandelions, creeping
buttercup, cornus stems, illuminate in
the shade of the ivy clad geans.
It’s on oil seed rape flower heads
emergent on soft wispy green stems, threatening
those with compromised airways.
And on the bruise, fading 
on my cheek.

N.B.  The observations are based on reality, the poetic framing is entirely fictional. 


A Stone’s Throw from Easdale                                                                     

Crossing the Atlantic Bridge, its south side awash
with fairy foxglove, the call is strong.  A lifetime ago
a minibus re-fuelled opposite the Tigh
an Truish.  You ate plastic toasties, drank warm lager.
Then, you sought to read the rocks; indigo foliated slates twinkling
with millennia of micrometric mica.  Weeks of mapping, skimming
plotting; a bucket of stones, a dusty rock hammer your spoils.                                 
Discarded, one by one, as you grew, moved, changed,
lost, contracted. Just one remains.  In your hand, it tells the
human stories of people and place.  Formed in 
Palaeozoic pressures; split by erupting fault lines,
raging subterranean currents; torn along fragile
grinding tectonic plates; scree wind lashed into silicate
and clay – until Rodinia ruptured.  Rains raised Ancient Iapetus;
shores re-shaped by volatile cycles: collisions; divisions; melting;
freezing and melding.  Morph in claymation. Formed, re-formed, bent
but not quite broken. 
                                                                                                                                     
In ’45, the Campbells, Netherlorn men, came. Not for princes
or crowns, but rock cleavage and silver pounds.
Castles consolidated with borrowed brides and ransom spoils.
They paid for honest toil, modernised and mechanised.
500 men quarried, split, napped; wedged in watery clefts 
on denuded crags, creaking joints engorged as they hewed out
five million princess and duchess-cut tiles, roofing castles
and cathedrals in worlds old and new, building communities. 
Spoil filled causeways melded island to island.                                                        

One stormy night, its defences breached, core sucked, dreams
submerged, livelihoods cleared by nature’s rage, returns declined,
meagre livings scraped. A few endured. Heart still beats to a new tempo.                                                                                       
Now coaches cross the old stone bridge daily. Disgorged tourists
savour tasty fare, buy postcards not petrol, try on the kilt,
giggle in Highland Arts.  Plinkety-plink pipes and fiddles
tweed, tartan tat, tablet, warm shortbread and impotent art.
They bounce in fast boats to exhilarating whirlpools, cheer
World Stone Skimming Championships, wheel possessions
in colourful barrows from the tiny quayside.

A bowl of seafood, glass of Chablis, white-washed
holiday lets at your back, you caress the stone one last time
then skim it back into its inky womb.

                               ***  

I plan to blog weekly, and would be delighted if friends want to follow, comment and share.   



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